Hostile Terrain Münster
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  • Home
  • Re-live HT94
    • After the exhibition
    • HT94 MS >
      • Wo & Wann | Where & When
      • Background
      • Team >
        • Kontakt | Impressum
    • HT94 Muenster - A Short Documentary
    • Videos >
      • Timelapse
      • Q&A: Jason de León (UMP)
      • Towards a World Literature of Undocumented Lives
      • HT94 Muenster - A Short Documentary
    • Archive: Contingent Belonging >
      • Grenzregime im Blickfeld der Kunst
      • Positionen und Perspektiven der Migrationsforschung
      • "Illegal Alien" or "Refugee": Border Crossings into El Paso
      • From the Borders of Europe through Contingent Belonging in Münster
      • Grenzregime, Migration und Identitäten in Mexiko und den USA im 20. Jh.
      • Towards a World Literature of Undocumented Lives
    • Take Part! A Moment of Global Remembrance
    • HT94 Virtual
  • Installation
    • Intro: Installation
    • Installation in Progress
    • Über die Wandkarte
    • Über die Toe Tags
    • About the Map
    • About the Toe Tags
    • After the exhibition
  • Blog
    • Looking Closely >
      • Reflections Blog
    • Looking Beyond >
      • Stories & Perspectives Blog
    • Looking Through Children's Eyes >
      • Children & Migration Blog
  • HT94 Global
    • International HT94 Hosts
    • Projects Around the World
    • Take Part! A Moment of Global Remembrance
  • Resources

Hostile Terrain 94 Münster: The Documentary 

Das globale Pop-Up-Ausstellungsprojekt Hostile Terrain 94 fand im Januar 2021 in Münster statt.

​Diese kurze Dokumentation fängt Bilder der Ausstellung ein, zeichnet ihre Entwicklung als gemeinschaftsbasiertes Erinnerungsprojekt nach und macht auf ihren politischen Hintergrund, die US-Grenzsicherungsstrategie "Prevention through Deterrence",  aufmerksam. Gleichzeitig stellt sie einen Bezug zu anderen "hostile terrains" wie das Mittelmeer her. 
The global pop-up exhibition project "Hostile Terrain 94" was hosted in Münster in January 2021.

​This short documentary captures impressions of the exhibition, portrays its development as a community-based project of commemoration, and calls attention to its political background, the US border enforcement strategy "Prevention through Deterrence". At the same time, it connects it to other "hostile terrains" such as the Mediterranean Sea. 

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